
I’ve worked with RISEN staff photographer Bil Zelman four times. Each session came complete with its own difficulties: There were 20 minutes allotted to shoot Ozzy Osbourne at his Beverly Hills castle. (The images were so good that the Oz publicity machine purchased them.) This issue’s feature on Invisible Children was shot in a San Diego canyon while the sunlight disappeared. Angels & Airwaves lead man Tom DeLonge was put into a studio setting but photographed with one of Zelman’s old box cameras.








